 Carole: Jeffery and I are an award-winning mother-son team. We are excited to introduce our third collaboration, Kin: Rooted in Hope. The verse novel is a powerful family saga spanning enslavement and freedom. My first-person poems combine with Jeffery’s stunning scratchboard illustrations to conjure the voices and visages of our ancestors and their contemporaries. We reimagine their lives at the same Maryland plantation where a young Frederick Douglass was enslaved. From scraps of history, we tell a story that is at both painful and empowering, personal and universal—from the first glimpse of our ancestors’ names in a 1771 inventory to our 2016 homegoing to West Africa. Here, we discuss Kin, its backstory and our roots. Carole & Jeffery: Why was it important to tell this story? Jeffery: Kin is our story of our own family’s roots. However, there are countless stories like this that deserve to be told. Carole: Absolutely! When the Civil War erupted, there were 4 million African descendants enslaved in the United States. Imagine all the untold stories. I felt obligated to my ancestors and to their offspring to pass this story on.  Jeffery: Why did you fictionalize the story? Carole: Despite my research, mysteries remained. My ancestors were barred from reading and writing, and the enslavers deemed Black lives unworthy of documentation. So, I fabricated details and revived once-marginalized voices to compensate for omissions and unknowns. Kin’s characters share first-person accounts of life at Wye House, Maryland’s largest enslavement plantation, and in all-Black, Reconstruction-era villages. In the process of conjuring those voices and recreating the milieu, I forged ties with my forebears. Readers will also hear from a retriever, furnishings and the Chesapeake Bay. Carole: What did you aim to achieve with the artwork? Jeffrey: I wanted to render high-contrast portraits and atmospheres with a dynamic sense of emotion while at the same time evoking the past. My illustrations have the feel of vintage prints.  Jeffrey: What was your research process? Carole: Years before conceiving this book, I was piecing together my family’s saga. As a young adult, I visited the grounds of Wye House. In 1998, a new historical marker in Unionville—honoring the 18 veterans of the U.S. Colored Troops who co-founded the village—led me to my great-great grandfather Isaac Copper. A passage from Frederick Douglass’s autobiography describing another Isaac Copper immersed me deeper into the past. That research produced my great-great grandfather’s military discharge papers. Once I decided to write a verse novel, I toured Wye House (which is a private home, not a museum) and the burial ground for the enslaved. I scoured the enslavers’ ledgers and studied material culture, the landscape and archeological reports. I also searched databases of slave ships and of the plantation’s enslaved residents.  Carole: What challenges did you face in creating the illustrations? Jeffery: There weren’t many reference photos. That meant I had to imagine some elements and to use models including family, friends and, for one illustration, myself. I also had to find references for the landscape from various archives. Carole: Describe the artistic medium? Jeffery: Scratchboard is a subtractive medium in which artists use metal instruments known as nibs to scratch the surface off the top of the scratchboard paper to reveal lightness underneath. Scratchboard is a very meticulous design and execution process. One illustration may drawn up to three times before the final illustration is scratched. That is also true of digital scratchboard which I used for the first time in this book.  Carole: Do you have a favorite illustration? Jeffery: My favorite is paired with the poem “The Rachel Speaks of Captain Richard Bruff.” My wife Bre’Anna modeled for that illustration. Jeffery: Do you have a favorite poem? Carole: My favorites are the question poems that aim to pinpoint my ancestors’ African roots. Although I went back seven generations to 1771, I still long for answers. As for the illustrations, I have so many favorites that it’s hard to choose just one. I really appreciate Big Jacob, the Gardener because I know how long you have practiced drawing hands. But Young Isaac reminds me of you, Jeffery, in Copperville as a boy, at our pond and at the creek.  Carole: When did you first become aware of our family’s history on the Eastern Shore? Jeffery: My grandfather, who grew up there, showed me the one-room schoolhouse he attended across the road from our house. He also told me about community Christmas celebrations during his Depression-era childhood. But he didn’t discuss slavery with me. How about you? Carole: When I was a child my family would visit Copperville, the hamlet co-founded during the Reconstruction by my great-great grandfather Phillip Moaney. His portrait hung on the wall in the homestead. I would later learn that Phillip had been enslaved at Wye House—the same plantation as a young Frederick Douglass. As an adult, I heard about another great-great grandfather Isaac Copper, who co-founded nearby Unionville with other veterans of the U.S. Colored Troops.  Jeffery: What discoveries surprised you most? Carole: In the Wye House plantation ledger, some enslaved people had surnames. By 1771, my fourth great grandparents, Isaac and Nanny Copper, were already in colonial Maryland. Local lore is that my great-great grandfather, Isaac, was called “the Royal Black” because he descended from African royalty. What if I had known that when we visited West Africa in 2016?  Carole Boston Weatherford has written many award-winning books for children, including You Can Fly illustrated by her son Jeffery; Box, which won a Newbery Honor; Unspeakable, which won the Coretta Scott King award, a Caldecott honor, and was a finalist for the National Book Award finalist; Respect: Aretha Franklin, the Queen of Soul, winner of the Coretta Scott King Illustrator Award; and Caldecott Honor winners Freedom in Congo Square; Voice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement; and Moses: When Harriet Tubman Led Her People to Freedom.
Carole lives in North Carolina. Visit her website at CBWeatherford.com. Jeffery Boston Weatherford is an award-winning children’s book illustrator and a performance poet. He has lectured, performed, and led art and writing workshops in the US, the Middle East, and West Africa. Jeffery was a Romare Bearden Scholar at Howard University, where he earned an MFA in painting and studied under members of the Black Arts Movement collective AfriCobra. A North Carolina native and resident, Jeffery has exhibited his art in North Carolina, Georgia, Maryland, and Washington, DC. Visit his website at CBWeatherford.com. -- You can purchase Kin: Rooted in Hope here.
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 KidLit in Color author Gabriele Davis is pleased to reveal the cover for her debut picture book, PEACHES, published by Abrams and illustrated by Kim Holt. It will release in May 2024. PEACHES is a lyrical, intergenerational story inspired by Gabriele’s father and his love of homemade peach cobbler. It narrates a milestone moment in a young girl’s life as she assumes a poignant family tradition. It celebrates joy, perseverance and how those we love live on in us. Gabriele feels lucky to have been perfectly matched with artist Kim Holt, who skillfully conveys these themes as well as the loving bonds between family members in this story. Here, Gabriele chats with Kim about her illustrations. I am delighted with your gorgeous illustrations for PEACHES. They are so full of warmth and heart! What inspired your artistic approach to this book? KH: When PEACHES was presented to me, I immediately said yes! I had randomly done some sketches the year before of my grandmother and me baking and wanted to do art around that relationship. I stored those ideas away, and when this came up, I used them as a starter guide for my sketches and reflected on my relationship with my grandmother when illustrating the story. I love using lots of color in art. In reading the story of PEACHES, I wanted the characters to stand out with pops of color. The peaches themselves are a central character, so I chose colors that were more complementary to each other. I wanted everyone to be able to stand alone in a scene and complement each other when they were together. Did you have to do any visual research? KH: I always do extensive research for each book. Even though I have baked pies, I spent a lot of time researching techniques for making peach pies and cobblers. I wanted to see the process, what counters look like, and the arrangement of ingredients. I also wanted to see the differences in approach between adult and child baking. Is there anything in particular about this story that resonated with you? KH: This story touched me deeply because I spent so much time with my grandmother, Vivian Garnes, and, for a time, lived with my grandparents. She gave me my foundation for cooking and my love for others. She taught me how to make my first pie from scratch, so the memories were there. Food can express love, especially when you take the time to prepare someone their favorite dish. Anyone who knows me can tell you I love food, recipes, cooking, and peach cobbler :). What do you hope children take away from your drawings? KH: I hope children will relate and see themselves in the moments captured. I hope they notice the details and spend time with each page looking for more. Thanks for putting your heart into this book, Kim! Can you share what’s coming up next for you? KH: The books I illustrated that are coming out are Justice Ketanji: The Story of Supreme Court Justice Ketanji Brown Jackson and The Bronx Is My Home.  KIM’S BIO: I am fascinated by capturing moments in time. In particular, I love painting special moments of joy, wonder, and quiet struggles and hearing the conversations and memories they stimulate for people of all ages. I am a painter and illustrator who strives to capture these moments in my artwork, and whether young or old, I want people to see themselves. I have had a passion for art and drawing from an early age and found great inspiration growing up directly across from the Brooklyn Museum. I have a BBA in Marketing from Howard University and a BFA in Animation from the Academy of Art University. My passion is creating energetic, expressive work full of personality, typically incorporating a vibrant and fresh color palette. I make art and live in the Washington D.C. metro area with my husband and two dogs, Sugar and Spice. See more of my work online at: www.kimscollectionofstuff.com IG: @kimholt  As a child, Gabriele longed to see families like hers reflected in the books she read. Now she gets to make that happen for other underrepresented readers. Gabriele holds an MA in magazine journalism and has worked as a children's magazine editor and freelance writer. She lives in the Northwest Hills of Connecticut where she tutors, teaches yoga, bikes and writes. She enjoys creating works that inspire children to laugh, love, discover their inner strength, and feel seen. Peaches, releasing in May 2024, is Gabriele's debut picture book. Her second picture book, Our Joyful Noise, will follow in Fall 2024.
Learn more about Gabriele and her books at www.gabrieledavis.com. Twitter: @GDavisBooks Instagram: @iamgabrieled  A Juneteenth Conversation With Tonya Abari and Alliah L. Agostini Are you looking for children's books about Juneteenth? Be sure to check out two titles from our very own Alliah L. Agostini, illus. by Sawyer Cloud (The Juneteenth Story) and Tonya Abari, illus. by Tabitha Brown (Let’s Celebrate Juneteenth). We sat down with these authors in a brief conversation about commemorating Juneteenth. 1. How did learning (or not learning) about Juneteenth as a child impact your knowledge of this history as an adult? AA: I’ve always known about Juneteenth because my Buffalo, NY community has long celebrated it- but my knowledge of the depth of the history behind it and its evolution is something that eluded me until I started research for The Juneteenth Story. Juneteenth was never discussed in any of my history curriculums from elementary through graduate school. TA: I did not learn about Juneteenth until my early twenties. That’s right. All of public K-12 and undergrad, and not a single mention of Juneteenth (*shaking my head emoji*). It wasn’t until a chance trip to Houston that I gained knowledge of Juneteenth by witnessing several local celebrations. I quickly began researching and knew that I’d devote more time incorporating additional education for myself and my (at the time) future family.  2. What Juneteenth traditions do you have/have you started with your own family? AA: My grandfather helped start the Juneteenth Festival in Buffalo, NY in 1976, so I grew up going to and even helping out with the festival. It was celebrated annually in Martin Luther King Jr. Park on the east side of Buffalo, and it was huge - it has been touted as the third-largest Juneteenth festival in the world. I fondly remember going to the festivals, watching the parades, and gorging on barbecue chicken, hot dogs, and sno-cones. After I left Buffalo for college, I remember not being able to find any large festivals in the other cities where I lived after, and I realized how special our celebration truly was. Now that the holiday has broader awareness, I’ve enjoyed barbecuing, blasting my Juneteenth playlist, making crafts, and going to local festivals with my family. TA: Since we didn’t celebrate Juneteenth growing up, I’m the official tradition starter for my family. We begin the day with reflection and education — reading books, watching documentaries, whatever we can get our hands on. This year, we are participating in a walking tour where we’ll get to know more about Nashville’s Black history. My oldest selects a Juneteenth recipe and we make it as a family with our midday tea (my husband is Nigerian, so jollof has made its way to every celebration including Juneteenth, ha!). In the past decade, we’ve attended citywide celebrations, barbecues, and enjoyed a nice spread at home. One of these years I’d like to make it back to a rodeo, just like the one I saw in Texas in my 20s.  3. What is your favorite dish associated with Juneteenth? AA: Red sno-cones!! I love their crunchy, sweet, icy goodness. I occasionally even helped sell sno-cones at our festival, so they are very nostalgic to me. TA: Hibiscus tea is a favorite in our household. The flower is bright red, flavorful, and native to Africa. The formerly enslaved also incorporated this tea in the first Juneteenth celebrations. We like to remix the teas, adding peppermint or lavender — and the tiny humans dress up for our “Noonteenth” tea parties (Alliah, can you dig the mashup?). AA: Noonteenth?! I LOVE IT! 4. What do you most enjoy about Juneteenth celebrations beyond food? AA: The vibe. The many sights, sounds, feels and smells of Juneteenth create a sensorial vibe like no other. From the multi-colored Afrocentric clothing worn by attendees and sold by vendors, to the many hair textures and styles, to the smell of barbeque smoke and incense, to the bass coming from speakers and shouts of drill teams and other paraders, there’s nothing like it. TA: The keeping of our history is so important. Through these traditions, we celebrate and live in our joy. We have endured unimaginable circumstances, and still we thrive. It’s beautiful to see folks coming together to honor that. 5. What have you found most eye-opening in your conversations with others about Juneteenth since it became a national holiday? AA: I’ve found the sense of guilt that so many people, especially African-American people, have about not knowing about the holiday, to be really sobering. So many of us feel almost deceived and willfully undereducated, but the reality is this lack of knowledge is the direct consequence of curricula that excluded so much of our [Black] history. It’s not our fault- we didn’t know what we didn’t know! But now that we do know, we can use this as an opportunity to right these wrongs and teach ourselves and the next generation, and fight for continued access to books and curricula that tell our story- even when certain forces *a-hem* attempt to suppress access. TA: I have to admit that I felt so guilty for not knowing about Juneteenth. And an even bigger secret is that I felt guilty writing a board book about it knowing that I did not commemorate Juneteenth until adulthood. But upon deep reflection, I knew I wanted to write a book that introduced babies and toddlers to the significance of Juneteenth — the same way that I was introduced to it. You’re absolutely right. I felt deceived! But the untold and undertold [Black] history is not my fault. And now that I know better, I’m certainly doing better. 6. As the holiday becomes less ‘novel’, what message do you hope remains in the mind of those who celebrate? AA: I hope people continue to keep the roots of Juneteenth at the forefront. This holiday celebrates the delayed emancipation of generations of enslaved African-descended people, the people who toiled and built this country under a brutal, racist, inhumane system. Holidays tend to be diluted, commercialized, and generalized with time. Let us not forget who and what is at the core of this celebration. TA: You took the words right out of my mouth, Alliah. To add, I just saw a post online from a banner in SC that advertised Juneteenth with non-Black folks at the center and er um…no, no, no. It’s also cool that big corporations like Walmart now carry Juneteenth merch, but it’s important to remember to support Black-owned businesses, especially on Juneteenth. I’ll repeat: Let us not forget who and what is at the core of this celebration. AA: Amen! For additional Juneteenth reading recommendations for young readers, check out these lists:
 Today on the blog Alliah L. Agostini is thrilled to have the opportunity to chat with KidLit in Color member Alyssa Reynoso Morris, debut author of Platanos are Love (and as you will learn, much, much, more!). ALA: Alyssa, you have a very busy 2023, but I’m very excited about your debut, Plátanos are Love. Can you tell us a little about your inspiration for the book? How much of this story is taken from your own experience? ARM: Plátanos are Love was based on my childhood experience cooking in the kitchen with all three of my grandmothers. Cooking was how they showed me they loved me. It was also a time for us to talk about school and life. We would cut and fry and dice and mash while sharing stories and making plans for the future. My abuelas have since passed but Plátanos are Love is my way of keeping them, their memories, and their love alive. ALA: I love how you managed to weave in the multi-generational and historical importance of platanos to Dominican culture - why was this important to you as you molded the narrative? ARM: I have always been interested in how our history impacts our present, which is an interest imbued in me by my abuela Nona (one of the abuelas that influenced this book.) My interest in history makes its way into all my stories, but it really is the HOOK of this book. I wanted to show that plátanos - a food many Dominicans eat everyday - is not just a food we love, it is one we are able to enjoy because of the resilience of our African ancestors. ALA: Your book is dedicated to your three abuelas for teaching you the magic of storytelling and food. What wonderful lessons. Did/do they have any signature dishes that bring you particular joy? Which ones can be found in Plátanos are Love? ARM: I LOVE THIS QUESTION! They each had their signature dishes and all could be found in Plátanos are Love. If anything it was HARD to pick only a few of their dishes because they could all cook up a storm and because plantains are such a versatile food. Some signature dishes I was not able to include in the text are mofongo, alcapurria, pastelon, yaroa, and many more. ALA: I love books like this one that use onomatopoeia beautifully. What’s your favorite sound word? ARM: I love onomatopoeia and alliteration. These are some of my favorite literary techniques. My favorite sounds in the English version of the book is “CRUNCH MUNCH” but my favorite sound word in Spanish is “MACHUCA” which means “to mash.” It is just so much fun to say. I had so much fun translating my book into Spanish. The Spanish version Los Platanos Son Amor will come out in 2024. ALA: Are there any Easter eggs readers should look out for as they read the book? ARM: OHH YES!!! Great question! The amazingly talented Mariyah Rahman included real pictures of both our families in the illustrations. ALA: What is your favorite way to eat plátanos? This is a big point of debate in our family. ARM: Asking me to pick my favorite way to eat plátanos, is like asking me to pick my favorite book… Ahhh. I can’t! I am sorry to disappoint you, because it depends on my mood. When I want salty and crispy I eat tostones. If I have time and want something more filling then I make mofongo or mangu. If I want something sweet, I eat maduro. If I want plátanos but don’t want them to be the star of the dish I will eat it in pastelon, which is basically like lasagna, but instead of noodles we use plantains cut into thin slices. ALA: You provide three delicious recipes in the back of the book. Are you a big chef? If so, what’s your favorite thing to cook? ARM: I am NOT a chef, but I can cook. On a scale of 1-10, 1 being an amateur and 10 being pro-chef; I am a solid 7. I love making meals that remind me of my abuelas. I feel like they are hugging me as I cook. I love making dishes from my culture and sharing them with others. I also enjoy trying out new recipes from other cultures because I love to learn and believe in celebrating our cultural diversity. ALA: What do you want readers to take from Plátanos are Love? ARM: I want them to know that they are loved. I want them to have pride in their roots, culture, and recipes. I want them to know about the resilience of their ancestors. I want them to know that they matter and that their stories and experiences matter.  ALA: You have two more books coming out right? Would you mind telling us a little bit about them? ARM: Yes of course! On October 24th, 2023 my second book The Bronx Is My Home comes out, and my third book Gloriana Presente: A First Day of School Book comes out in 2024. The Bronx Is My Home is a picture book celebration of hometown pride including the history, landscape, cuisines, cultures, and activities unique to this vibrant community. Welcome to the Bronx, New York, where you can see bodegas and businesses bustling on every street, taste the most delicious empanadas in the world, smell the salty sea air of Pelham Bay, and pet horses at the Bronx Equestrian Center. From sunrise to sunset, Santiago and Mami have many treasures to enjoy in their neighborhood on a beautiful Saturday, including colorful birds on the Siwanoy Trail and fresh cannolis on Arthur Avenue. This energetic and joyful family story offers both a journey through and a love letter to this special borough. The Bronx Is My Home is a triumphant celebration of hometown pride, as well as a heartfelt invitation to all, for readers of My Papi Has a Motorcycle by Isabel Quintero, illustrated by Zeke Pena, and Saturday by Oge Mora. My third book Gloriana Presente: A First Day Of School Book is a bilingual picture book that features a Dominican American girl overcoming anxiety and finding her voice in the classroom. ALA: While many picture book authors are fairly prolific, there tends to be a common thread throughout most of our work - what would you say is consistent throughout yours? ARM: I love this question. All my books are very different. Plátanos are Love is lyrical and poetic. The Bronx Is My Home gives off non-fiction sightseeing vibes. Gloriana Presente: A First Day of School Book is character and plot driven with a struggle the main character has to overcome. The themes that can be found in my books are family, pride, resilience, and joy, but if I were to sum up what strings all of my books together in one word it would have to be LOVE. Plátanos are Love is a LOVE letter to plátanos, my culture, my family, and my ancestors. The Bronx Is My Home is a LOVE letter to The Bronx and a reminder to kids from the BX that they can be whatever they want to be. Gloriana Presente: A First Day of School Book is a LOVE letter to my Abuela, to immigrants, and to those who struggle to find their voice. I want my audience to feel loved by my books so they go out into the world and spread it far and wide. We can all use more love in the world.  ALA: Where can readers find you, and most importantly, how can they best support your work?
ARM: Please find me on my website which is www.alyssaauthor.com as well as on Instagram and Twitter at @AReynosMorris. The best way to support my work and authors is by ordering our books and/or requesting our book at your local library. After you read our stories, please review them. It helps to boost and share our stories. I also do author visits and am open to media appearances so hit me up.   KidLit in Color author Valerie Bolling was excited to have the opportunity to chat with her KidLit in Color sister Tameka Fryer Brown about her latest book, THAT FLAG, which released a week ago on January 31. Tameka, you’ve been on roll! At the end of last year, we welcomed your books, TWELVE DINGING DOORBELLS (illustrated by Ebony Glenn) and NOT DONE YET: SHIRLEY CHISHOLM’S FIGHT FOR CHANGE (illustrated by Nina Crews), and now we get to celebrate THAT FLAG (illustrated by Nikkolas Smith). What’s your one-liner to describe your newest release? Thank you so much, my dear sister! THAT FLAG is a story about best friends divided over the meaning and significance of the Confederate flag. How did this book come to be? I wrote THAT FLAG after the murders of nine church members in Charleston, SC by a 21-year-old white supremacist whose social media showed him posing with a weapon of war and a Confederate flag. I, like so many others, was angry at the atrocity, and distressed by the subsequent debate as to whether the Confederate flag was indeed an emblem of hate…or merely a symbol of Southern pride. I decided to write a picture book about that flag, as opposed to a story for older children, because the longer we wait to share these kinds of truths with our kids, the more embedded the influence of racism will be in their hearts. We can’t keep doing the same old, same old and expect this societal plague to disappear on its own. We must all be intentional about doing our part to dismantle white supremacy. Writing books for our future adults, leaders, and changemakers is mine. Tameka, all you’ve said is so true. We must be intentional about fighting racism and other types of oppression, and the truths we share with children are a part of this necessary work. Can you tell us a bit about your publication journey? Though THAT FLAG was first written in 2015, the book didn’t sell until 2020, after the nation’s so-called “racial reckoning.” I now consider that delay divine providence, because I could not imagine a more perfect illustrator than Nikkolas Smith or editor than Luana Horry to help bring this story to life, and I wouldn’t have had the opportunity to work with either of them had it sold earlier. What a wonderful shout-out to your illustrator and editor who are both deserving. What changed about THAT FLAG from acquisition to publication? The main thing that changed was giving Ms. Greyson a more active role at the story’s climax. Originally, the plot involved a direct conversation between Keira and Bianca about the origins of the Confederate flag, but my editor suggested that for this story, it might be better to have an adult character shoulder the responsibility of doing the educating—not a Black child. It was very insightful feedback, so I gave Ms. Greyson that role in the story, which makes all the sense in the world as she is their teacher! Yes, teachers play an important role in children’s lives, and I think Luana’s suggestion “to have an adult character shoulder the responsibility of doing the educating” was a smart one. What did you learn that you didn’t already know as you did research for this book? Through research I did for the backmatter, I learned about the original Stars and Bars version of the Confederate flag, namely how it was a source of confusion for the Confederacy on the battlefield because it looked so much like the American flag. Subsequently, there were several battle flag designs used by various Confederate units, including the one we most often call the Confederate flag today—also known as the Dixie or Rebel flag. It was also eye-opening to read Alexander Stephen’s Cornerstone Speech, as well as re-read the Declaration of Causes of Seceding States, both of which are listed in the book’s Recommended Reading section. Those documents clear up a lot of misinformation about the main reason behind the Civil War, much of which came as a result of the Lost Cause Myth, which is something I learned more about as well. Thanks for giving us a bit of a history lesson and sources we can read to find out more. Share your thoughts with us about the illustrator Nikkolas Smith. I actually remember how excited you were when you told me that he would illustrate this book. Do you have a favorite page or spread? I am a ginormous fan of Nikkolas’s art and artivism! I was already familiar with his work because of his many viral Sunday Sketches, so when Luana asked what I thought about approaching him to illustrate, I was like, “YEEESSSSSS!!!!” Nikkolas’s work is stunning and brave and, per his stated purpose as an artivist, inspires so many people to seek positive, societal change. I was and still am honored that he chose to be part of this project. Of course, I can go through each page and point out all the fabulous things about Nikkolas’s artistic choices, but from an emotional standpoint, I think the last spread is my favorite. It embodies all the hope I have in the power of truth—both the telling and embracing of it. How do you hope young readers will experience this book? What suggestions do you have for parents and teachers who read this book to children? After reading THAT FLAG, I hope young readers will feel enlightened by the more holistic sharing of history, empowered to ask their hard questions, and emboldened to speak out for what they believe is right. To parents and teachers, I’d say familiarize yourselves with the backmatter and information found in the suggested resources, which will be very helpful in answering the insightful questions kids are sure to have. Most of all, just be honest. Honesty is the best way to engage kids about everything, including the more odious aspects of our history. Yes to honesty! Children need to know the truth of our history, just as adults do. What book(s) can we look forward to next from you? My next book is YOU ARE: ODE TO A BIG KID. It will be illustrated by the phenomenal Alleanna Harris and published by FSG in 2024. It’s a lyrical ode to growing up and believing in yourself. I’ve seen the sketches and oh my heart! I know it’s going to be a beautiful book, Tameka, with your lyrical language and Alleana’s gorgeous art! For more about Tameka Fryer Brown and her books, connect with her in the following ways: Website: tamekafryerbrown.com Instagram: @tamekafryerbrown Twitter: @teebrownkidlit Facebook: @tamekafryerbrown.author  TAMEKA FRYER BROWN is a picture book author who writes to sow seeds of self-love, pride, connectivity, and inclusion in the hearts of children. Her books have won awards like the Charlotte Zolotow Honor Award and the Anna Dewdney Read Together Award, and have been honored on best book lists by NPR, Parents Latina Magazine, the Cooperative Children’s Book Center, New York Public Library, Bank Street College, The Little Free Library, and more. Tameka’s picture books include Brown Baby Lullaby, Twelve Dinging Doorbells, Not Done Yet: Shirley Chisholm’s Fight for Change, and That Flag. She is also a member of the Brown Bookshelf, WINC, and BCHQ. tamekafryerbrown.com
 As a Black Panamanian, I grew up confident and fully aware of who I am and my racial and cultural background. But it wasn’t until I was asked, “What are you?” that I realized I didn’t know how to explain what I’d always known. When I asked my mother about it, she told me, “Tell them you are a Black Panamanian” (which I knew). But that response only worked when I was a child. The older I got, the people who asked that question wanted more, and I found myself also needing more-- in terms of understanding fully. My debut novel, Sincerely Sicily, was born solely from this experience. Loosely based on many of my experiences growing up, the main character Sicily Jordan embarks on a self-discovery journey to fully understand, for herself, how she is Black with a Panamanian cultural background. In addition to her self-identity journey, Sicily experiences hair discrimination from an unexpected relative and deals with plenty of new experiences involving a new school, friendships, and her first crush. As the publishing industry continues to push for diversity in children’s literature, I have seen a slight improvement. But there are still cultures and countries that lack representation, including Panama. With that, I felt compelled to tell my story and do my part by filling this void. Mainly because I think readers desire to read about something new and different. And readers of Panamanian descent can finally relate first-hand and enjoy seeing their culture displayed in fiction. Overall, I hope all readers can take a few things away from Sicily’s story. The first is the difference between race and culture. This message is conveyed in a scene when Sicily is doing research and realizes that while her ancestors are from Africa and the Caribbean, her parents were born in Panama, and she was born in the US. The cultures changed, but the racial makeup of her family did not. Thus, displaying to the reader that race and culture are not dependent on each other; the two can mutually exist, as one has nothing to do with the other. The next takeaway would be gaining the confidence to advocate and stand up for oneself. Through Sicily’s example of resolving a hair discrimination conflict with her abuela, my hope is for that interaction to be a blueprint for young readers on how they, too, can express their feelings to adults constructively and appropriately to gain resolution. Sincerely Sicily was indeed a labor of love, written to appeal to the targeted audience, but people of all races, ages, genders, and cultures will be able to find a few relatable elements of the story that will entice them to keep on reading.  Born to parents who migrated from Panamá, Tamika has always taken a particular interest in writing themes that explore her Black Latina identity. Because of her passion for spreading knowledge of Black Panamanian culture, Tamika has been featured on various websites, podcasts, and panels.
When she is not writing, Tamika is somewhere cozy online shopping, sipping lemon ginger tea and reading, or listening to a podcast. Read more at TamikaBurgess.com  Glenda Armand - ALL ABOARD THE SCHOOL TRAIN and ICE CREAM MAN Interview by Gabriele Davis Hi, Glenda! Congratulations on your TWO new picture books releasing this month: ALL ABOARD THE SCHOOL TRAIN and ICE CREAM MAN! Both books are captivating and eye-catching. Can you give our readers a brief overview of each and the inspiration behind them? Thank you! I am excited about both books, though their beginnings were quite different. ICE CREAM MAN is about a free-born black man in pre-Civil War America who had the self-confidence, creativity and initiative to overcome overwhelming odds to become a successful inventor and entrepreneur. Augustus Jackson also happened to work as a chef in the White house, serving under three presidents! I had not heard of Augustus Jackson until my editor asked me if I would co-author a book about him with Kim Freeman. Kim gets credit for “discovering” Jackson. Once I learned about him, I knew that he checked all the boxes as to the kind of person I like to write about. ALL ABOARD THE SCHOOLTRAIN is much more personal. However, I do have to thank Isabel Wilkerson for writing THE WARMTH OF OTHER SUNS. In her epic narrative about the Great Migration, Wilkerson shares an anecdote about children in 1920s rural Mississippi forming a “walking train” to get to their one-room schoolhouse. That inspired me to ask my mom if she had had a similar experience having grown up during that era in rural Louisiana. Her eyes lit up as she recounted to me the basic elements of what became this story. I love that ALL ABOARD THE SCHOOL TRAIN was inspired by your mother’s childhood experience and that you got to include some wonderful family photos in the back matter. What was your family’s response to this book? Can you speak to how writers can tap into their own family histories for inspiration? I certainly hadn’t planned on using my family’s pictures in the book. That was my editor Tracy Mack’s idea! Her vision for my cute little story transformed it into a 48-page work of true historical and cultural meaning. I am honored that it received a starred KIRKUS review. My family helped me remember certain facts and provided pictures. In that sense, it was a group project! My Mom would be very proud. To aspiring writers, I would say that the first place you look to for stories is home. By “home” I mean your own life and family, where you grew up, what books you read, what fascinates you. Take the inspiration you find there and see where it leads you. It could take you to another world. For instance, Suzanne Collins, who loves Greek mythology, was at home flipping the TV between the Iraq war and reality TV shows when she got the inspiration to write The Hunger Games.  You’ve authored other picture book biographies. Having been both a history teacher and a librarian, it’s no surprise that you love writing books spotlighting the stories and accomplishments of people who deserve a wider audience. What do you hope readers will take away from these books? You are right. I enjoy introducing my readers to unsung heroes. IRA’S SHAKESPEARE DREAM is about Ira Aldridge, who was a contemporary of Augustus Jackson and who, like Jackson, was born free. Aldridge became a world-famous Shakespearean actor, noted for his portrayal of Othello. In SONG IN A RAINSTORM, I introduce readers to Thomas Wiggins who, born enslaved, blind and autistic, went on to find fame and fortune as a musical prodigy. I would like children to know about the diversity of the African American experience. Both ALL ABOARD THE SCHOOL TRAIN and ICE CREAM MAN have great kid-appeal. Ice cream and children are a natural combination, and you draw readers through both books with catchy refrains. Can you share your tips for making stories engaging and relatable for young readers? You know, I had not thought about how they both have refrains. I do like to write in rhyme, so any chance I get, I will do so. Also, when I write picture books, I imagine them being read aloud by a teacher, parent or librarian. Kids like to participate in the story and love repeating a catchy refrain. It keeps them engaged and it helps with their memorization skills. I am a proponent of having kids memorize poems and songs and even times tables (I know that dates me.). It’s exercise for the brain. I enjoyed the fascinating details you include in the afterword for ICE CREAM MAN. Kids will be surprised to learn that people once ate bizarre ice cream flavors like Parmesan Cheese and Asparagus! What research tips can you offer writers interested in crafting fascinating picture book biographies? I like to give lots of details in the afterword that I hope the adult reader will find helpful in sharing the books with children. Kids like weird and amazing facts. If the facts also have a yuk factor, all the better. So I would say to new writers, find some fascinating detail about your subject that children will find interesting. I like to begin the bio with an anecdote from the subject’s childhood that immediately draws the child in. Both Keisha Morris and Keith Mallett do an amazing job of bringing your stories to life with their illustrations. I especially like how Morris captures the joy of the school train winding through town and how Mallett conveys the pride Jackson takes in bringing sweet treats to his community. How involved were you in the visual development of these books? Did you include many illustration notes in your manuscript? Were you able to provide feedback on rough sketches? Yes, I was involved to some extent with the illustrations, and both artists were a delight to work with. I saw sketches along the way, making suggestions that were well-received. For instance, Thelma in SCHOOLTRAIN, is inspired by my mom. When Keisha, who loves cats, gave Thelma a pet cat, I asked her to change the cat to a dog. Mom was a dog person. For ICE CREAM MAN, Keith had to make sure not to show ice cream being eaten from a cone. Ice cream cones were not invented until 1904! You have referred to school libraries as “the heart of the school.” What is it that makes school libraries so vital? In the library, students can come and relax, play board games, maybe work on a puzzle. It’s a place where everyone fits in and you can be yourself. And, of course, it’s a place to read. I love helping a student find a book. I have to get to know the student and make that connection. When a student tells me he or she doesn’t like to read, I just say, “You haven’t found the right book yet.” Whether the right book is Gone With the Wind or Captain Underpants, I just want the student to become a reader. You have another book releasing in 2023. Would you like to offer readers a preview of this book? Any other titles on the horizon? Sure! I have a book being released by Crown Books in May, THE NIGHT BEFORE FREEDOM, about Juneteenth. I mentioned that I enjoy writing in rhyme. The story follows the same meter as Clement C. Moore's The Night Before Christmas. And I am very excited that this will be my first rhyming picture book. Thanks for taking the time to chat with me, Glenda! I look forward to reading much more of your inspiring work in the future! Thank you so much, Gabriele. I enjoyed it. And congratulations on your upcoming books! I look forward to reading them!  Glenda Armand has had a long career as a teacher and school librarian. She enjoys writing picture book biographies that inspire children to read, learn and dream big. Glenda lives in Los Angeles and has a son and daughter. When not writing or practicing the piano, she tends a garden full of roses and succulents. Drop by her website at glenda-armand.com or connect with her on Twitter: @GlendaArmand.
 Natasha Anastasia Tarpley - KEYANA LOVES HER FAMILY! Interview by: Gabriele Davis Hi, Natasha! Welcome to the KidLit in Color blog and congratulations on your newest picture book, KEYANA LOVES HER FAMILY!, the first in a new series about Keyana. Reading it evoked fond memories of my own childhood movie nights—though they were never as extravagant as Keyana’s! Can you share your inspiration for this story? As a kid I was, and still am, a big dreamer. I wanted to create a series that features a little Black girl who not only dreams big, but who also makes big plans to bring her ideas to fruition. However, sometimes Keyana’s plans don’t go exactly as she hoped–which also happens in our real lives. But Keyana doesn’t give up. Instead she comes up with new, and sometimes better ways to manifest her vision. I also wanted Keyana to be surrounded by a loving group of family and friends, complete with its own cast of quirky and fun characters. These are the folks who believe in Keyana and her dreams, and are there to support and help her to make them reality. Lastly, like you, I was also inspired by my family movie nights. Ours weren’t as elaborate as Keyana’s either, but we did have certain rituals–like going to the video store (when there was such a thing) to pick out movies, setting up our snacks, and jockeying for the best spot on the couch. Yes, loving support and family rituals are everything! What overall message do you hope readers will take away from this book? Encouraging young people to cultivate a sense of resiliency, of openness to trying again, or exploring new approaches when something doesn’t work out the way you planned, is a fundamental theme/message of the book. There are so many discouraging forces in the world that can thwart plans or stunt our ideas. I want kids to believe in their ideas and dreams, but also to become comfortable with the experience of failure–not to expect failure, but to have the fortitude, inner-strength, and confidence to keep going, even when the world tells you no, or that you can’t do the thing you set out to do. There are multiple paths to success. Related to this, I wanted to inspire kids to dream big, even when they have no idea how they will bring those dreams to fruition. I always credit my mother, but she taught us from an early age to “go to the top,” to go after what we want and not short-change ourselves by thinking small. This is not always easy, because the world often only shows us a narrow slice of what’s possible, especially when it comes to images of Black folks and our accomplishments and experiences. I love Keyana’s confident voice. Was it a natural choice for you to use a first person point of view? Or did you experiment with different perspectives? What else can you share about your writing process for this new series? Keyana’s character is inspired by the protagonist of my classic picture book, I Love My Hair! In fact, the series was initially envisioned as a continuation or spin-off from that book. So, in this new iteration of Keyana, I really wanted to bring her whimsical and creative personality, which we get glimpses of in I Love My Hair, front and center. First person point of view was a natural choice to achieve this. And just like Keyana uses fantastical imagery to describe her hair, I wanted to showcase the ways that Keyana finds and creates magic in the things that she does in her everyday life. When I started the series, I looked at series characters like, “Fancy Nancy”, to get a sense of how other authors developed their characters and stories over time. Then, I came up with a whole list of ideas for adventures that Keyana could have. I also thought about some of the underlying themes that I wanted to embed in the stories, with the evolution and growth of the character in mind. This kind of gave me a roadmap for the series. When it comes to writing, I am a dedicated outliner. I use outlines as a way to develop the story. This takes a good amount of time, but by the time I’ve finished my outline, I know the story so well, I am able to write it very quickly. It’s worth investing that brainstorming and development time up front. The illustrations by Charnelle Pinkney Barlow are vibrant and expressive. How did you feel when you saw the final layout? Do you have a favorite spread? I loved Charnelle’s fun and whimsical illustrations. I felt that they really captured Keyana’s personality, as well as the warmth of her family members. I also appreciated the level of detail that Charnelle included that showcased Keyana’s home life and cultural elements, e.g Keyana’s bedtime bonnet. I think my favorite spread was the movie spread where all of the family members are shown together. Your publishing credits include other acclaimed picture books. Can you talk a bit about your journey as an author? I started writing when I was seven years old, and started publishing (poetry) when I was a freshman in high school. Although I knew I would always write, I didn’t have a sense of how to actually build a career as a writer. Therefore, the winding path of my career has enabled me to have diverse professional experiences: attending law school (finished but never practiced), becoming a reporter at Fortune magazine, working at a nonprofit mentoring youth in journalism and the publishing process. I finally figured out that what I really wanted to do was to write books. After writing two books for adult readers, an anthology called, Testimony: Young African Americans on Self-Discovery and Black Identity, and a family memoir, Girl in the Mirror: Three Generations of Black Women in Motion, I decided to narrow my focus to children’s literature. I have written several picture books. I have also published an acclaimed middle grade mystery, The Harlem Charade (Scholastic), and am currently working on a new middle grade series with a supernatural theme, which will come out in 2024. I have also branched out into writing for children in other mediums. I am the writer and co-creator of a children’s mystery podcast, “Opal Watson: Private Eye” (Pinna). I am also working on a new podcast adaptation of my novel, The Harlem Charade, as well as developing a new animated television show for preschool-aged kids. I am passionate about telling great stories that inspire children, and I enjoy exploring multiple media platforms to do so. What advice would you give to aspiring picture book authors? I always suggest that aspiring writers read as many books as they can in the genre that they want to write. This is especially true of picture books. I find picture books to be very challenging to write sometimes, because you’re packing a lot of story into such a compact format. I always get a lot of ideas from reading other picture books, because the writing can be so unique and creative–seeing how other authors make the most of these small spaces. I would also advise others to get comfortable with the revision process. I always write out all of my ideas in early drafts, and then pare the manuscript down as I go along. I love the name of your new media company, Voonderbar! Can you tell us about its origin and mission? I studied the German language from second grade up through college. Voonderbar is a play on the German word, wunderbar, which means wonderful. My mom and I started this company together. The mission of Voonderbar is to create exciting, inspirational, and educational stories that help kids to discover, celebrate and actualize the many facets of who they are. We wanted the name of the company to literally embody that sense of joy and wonder. We took a long hiatus, but are now starting up again, developing projects that incorporate new technologies and tell stories across multiple media platforms.  As an acclaimed and bestselling children's book author, who has been writing for over 20 years, Natasha Tarpley is passionate about telling engaging stories that both entertain and educate audiences across multiple media platforms. She uses her writing as a tool to change and expand narratives around Blackness and Black people, to create spaces where kids of color can relish in their reflections on the page/screen/airwaves, and to inspire children of all backgrounds to envision themselves in new ways and to tell new stories. Natasha is the author of the classic picture book, I Love My Hair!, an ode to Black childhood and natural beauty, which is a favorite among readers and educators around the world. Natasha is also the author of Keyana Loves Her Family, which is book one of a new picture book series. Her other titles include the award-winning picture book, The Me I Choose To Be, and the social justice-themed middle grade mystery, The Harlem Charade. Natasha is also the Writer and Co-Creator of the award-winning children’s narrative podcast, Opal Watson: Private Eye (Pinna.fm), and is currently developing new children’s podcast and television projects with major media outlets. Natasha is also the founder of Voonderbar! Media, an independent children’s media company. Learn more about Natasha at: www.natashatarpleywrites.com Facebook: Natasha Tarpley Instagram: @NatashaTarpley  Kirstie Myvett interviews Tameka Fryer Brown about her latest book, TWELVE DINGING DOORBELLS! KM: Hi Tameka, I’m super excited to talk with you about Twelve Dinging Doorbells! I have a soft spot for holiday books and stories that feature intergenerational families and TDD has it all. TFB: Thanks, Kirstie! Family, food, humor, and bright colors. That's everything you need for a joyful picture book, right? KM: This book is obviously inspired by the popular Twelve Days of Christmas song, but please tell us the details of how this story came about? Also, did you set out to write a counting book, a holiday book, or both? TFB: Believe it or not, the book was actually inspired by #ThanksgivingwithBlackfamiles. I search out that hashtag every year as the holiday season approaches, just to laugh and feel in community with Black folks throughout the country about all the various things our families and family gatherings have in common. I wrote the first draft of Twelve Dinging Doorbells in December of 2017, just a few days before Christmas. So when I think about it, the story itself may have been inspired by the Thanksgiving hashtag, but the framework I used to tell it was inspired by the time of year that I started drafting it. For me, it was never about writing a counting book, per se, though I did realize that would be an added feature of the structure. Nor was I ever focused on any particular holiday. My intention was always to honor Black family gatherings in general.  KM: You mentioned that Twelve Dinging Doorbells is filled with humor, family, food, and all the things that make holidays so special. How much of your own family traditions and experiences did you weave within this story? TFB: A lot. When I was growing up, my granny’s house was the place to be for all major family gatherings—holidays, monthly birthday celebrations (if you know, you know), and even Sunday dinners. Extended family members would often swing by on Sundays for a plate—usually one to eat and one to take. Looking back, I am amazed at how many of us would be squeezed into that small house of hers. Whenever my family got together, the vibe was always loudness, laughter, and love. It was accompanied by the most delicious food, including my granny’s sweet potato pie. Granny was not capable of cooking anything not-delicious, but her potato pies were my absolute favorite. KM: The illustrations by Ebony Glenn are beautiful. What were your thoughts upon seeing Ebony’s final depictions? TFB: knew when Ebony signed on to be part of the project that the book would be gorgeous. She’s Ebony Glenn, after all. And of course, she didn’t disappoint. Even in the sketch phase, the joy, love, and silliness in her drawings had me smiling at my computer screen. The energy is palpable and the diversity of personalities shine through in every scene. Add the rich, vibrant colors on top of all that--using cut paper collage (!!)—and there’s no doubt that Ebony has created a masterpiece.  KM: I think this book is sure to become a classic Black family holiday book. But I also think children and families in different cultures will enjoy and relate to it because the themes of family, food, and love are all universal and transcend race. What do you hope children will take away from this book? TFB: I wholeheartedly agree with you, Kirstie. I hope children will glean from it whatever it is they need from it: laughter; pride; a sense of being seen, celebrated, and valued; insight; connection; entertainment and education; and joy. Infectious joy. I also hope they’ll read and enjoy it the whole year through. KM: What is your advice to authors interested in writing a holiday picture book? TFB: Come at it from a place of impactful memory, I suppose. Reflect on the holiday memories that are most emotional for you and start crafting from there. Which is really the advice I’d give on writing about any subject. Identify the emotional impact you want to have and create based on that. KM: How do you plan on celebrating your launch? TFB: My official book launch was at Park Road Books on October 22nd. On November 15th, we plan on doing a virtual gathering where myself, Ebony Glenn, viewers, and a few special guests will come together to share a virtual meal (or a favorite dish), laughter, memories, and the importance of connection. Keep an eye on my social media for more details on our virtual gathering in the coming weeks. KM: What’s up next for you? TFB: I have two more picture books coming out very soon: Not Done Yet: Shirley Chisholm’s Fight for Change (illustrated by Nina Crews; published by Millbrook Press, November 1, 2022) and That Flag (illustrated by Nikkolas Smith; published by HarperCollins, January 31, 2023). In the fall of 2024, I will have another picture book coming out with FSG called You Are (Ode to a Big Kid), and that will be illustrated by Alleanna Harris.  Tameka Fryer Brown is a picture book author whose titles include the Charlotte Zolotow Honor-winning My Cold Plum Lemon Pie Bluesy Mood and Brown Baby Lullaby, winner of the 2021 Anna Dewdney Read Together Award. Her work is also featured in the widely-acclaimed anthology, We Rise, We Resist, We Raise Our Voices.
Brown’s forthcoming picture books include Not Done Yet: Shirley Chisholm's Fight for Change; and That Flag, a story about best friends divided over the meaning and significance of the Confederate flag. You can learn more about Tameka at tamekafryerbrown.com. Images from Twelve Dinging Doorbells, published by Kokila, an imprint of Penguin Random House LLC Text copyright © 2022 by Tameka Fryer Brown, Illustrations copyright © 2022 by Ebony GlennImages from Twelve Dinging Doorbells, published by Kokila, an imprint of Penguin Random House LLC  An interview by Kirstie Myvett and Ana Siqueira KM: Hi Ana, congratulations on your latest book, If Your Babysitter Is a Bruja. What inspired you to write this Halloween story? AS: This story is based on a real story that happened to me, but it wasn’t during Halloween. I guess the Halloween was something I included to add some spookiness, but I believe this is a book you can read the whole year. My story: One day I was at the beach with my three-year old daughter. She didn’t want to leave. I had to use my teacher’s voice to say - We need to leave NOW! And that’s when she started yelling and crying for three blocks - walking - that I was not her mom. I was a witch. Imagine my embarrassment. So that was the inspiration for my story.  KM: Holiday stories seem to be very popular. How long were you on submission with this book and what was the process in getting it signed? AS: I revised this book while taking a class at Children’s Book Academy. In the end of the class, there was a showcase. Alyza Liu, the editor from Simon&Schuster asked to see it. My agent submitted it to her. She replied within a month. We closed the deal a few weeks later and after a few months everything was signed. KM: There are many Spanish terms in the book that children will have fun learning. Is this something you include in all of your stories? If so, why? AS: I am a Spanish teacher and my blended family speaks Spanish, English and Portuguese. I believe learning Spanish in this country is so important. So my goal is to 1: motivate everyone to learn this beautiful language 2. Make the children who speak this language to be proud of their cultural and heritage.  KM: Halloween is often categorized in the scary holiday category but you’ve depicted a really fun story for children. Tell us why you chose that depiction vs. scary/horror? AS: I wanted to show that we shouldn’t judge people or brujas based on stereotypes. I believe in this book, each reader can decide if the babysitter is a real bruja or it’s all imagination. But no matter what, they will see she is nice and sweet. So, don’t judge a bruja by her sombrero. KM: Irena Freitas’ illustrations are bright and lively. What did you think when you first saw them and did you offer illustrator notes for this project? AS: I had some art notes since the girl is an unreliable narrator. But Irena did much more than I expected. Through all the details and the character’s expressions, Irena made us dive into her imagination and live an aventura with her. KM: How are you spending Halloween this year? Are you having any public readings or signings? AS: I have a lot of events at libraries, bookstores and schools. It will be super fun. I will be doing an event online with the Miami Library, if anyone is interested in coming. KM: What project(s) are you working on next? AS: I have some other books coming out. But the project of my heart now is a story, based on my experience as a domestic violence survivor. And yes, it’s a picture book. I believe we can write about any topic if we can make it understandable and relatable to the little ones.  Ana Siqueira is an award-winning author from Brazil who cackles but doesn’t wear hats. When not flying with brujas, she teaches Spanish to adorable little ones, where she casts a learning spell that nobody can resist.
Some of her books are BELLA’S RECIPE FOR DISASTER/SUCCESS (Beaming Books, 2021) IF YOUR BABYSITTER IS A BRUJA/ CUANDO TU NIÑERA ES UNA BRUJA (SimonKids,2022), BOITATA: SNAKE OF FIRE (Capstone 2023), ABUELA’S SUPER CAPA/LA SUPERCAPA DE ABUELA (HarperCollins 2023), OUR WORLD BRAZIL (Barefoot 2023), ROOM IN MAMI’S CORAZON (HarperCollins 2024). |
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