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Picture books by Black authors and illustrators for Black History Month

2/5/2026

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We've had the privilege of featuring many Black books on the KidLit in Color blog written and illustrated by Black creatives. Below are some of our features and favorites in picture books. We hope you'll check out the author interviews for those we've featured to learn about the inspiration and writing process behind these remarkable titles. 

We also hope you'll help readers find these titles and more to curate a diverse home and school library.  
Black history month picture book collage

Brown Baby Lullaby by Tameka Fryer Brown, illustrator AG Ford

Together We Ride by Valerie Bolling, illustrator Kaylani Juanita


Your Name is a Song by Jamilah Thompkins Bigelow, illustrator Luisa Uribe

Jayden’s Impossible Garden by Mélina Mangal, illustrator Ken Daley

Better Together Cinderella by Ashley Franklin, illustrator Ebony Glenn

Under the Clam Moon by Kaitlyn Wells, illustrator Mariyah Rahman


Everybody in the Red Brick Building by Anne Wynter, illustrator Oge Mora

Prince: A Little Golden Book Biography by Nikki Shannon Smith, illustrator Don Tate


Josey Johnson’s Hair and the Holy Spirit by Esau McCaulley, illustrator LaTonya Jackson

Fly by Brittany J. Thurman, illustrator Anna Cunha

Opal Lee and What it Means to Be Free: The True Story of the Grandmother of Juneteenth by Alice Fay Duncan, Keturah A. Bobo, illustrator


The Bronx is My Home by Alyssa Reynoso-Morris, illustrator Kim Holt

Not Done Yet by Tameka Fryer Brown, illustrator Nina Crews

Stella Keeps the Sun Up by Clothilde Ewing, illustrator Lynn Gaines


The March of Hope by Valerie Bolling, illustrator Monica Mikai 

The Juneteenth Story by Alliah L. Agostini, illustrator Sawyer Cloud


All Aboard the Schooltrain by Glenda Armand, illustrator Keisha Morris

All Because You Matter by Tami Charles, illustrator Bryan Collier

Hold Them Close: A Love Letter to Black Children by Jamilah Thompkins Bigelow, Patrick Dougher, photography Jamel Shabazz

Six Triple Eight by Tonya Abari, illustrator Lance Evans

Keyana Loves Her Family by Natasha Anastasia Tarpley, illustrator Charnelle Pinkney Barlow

The ABC’s of Black History by Rio Cortez, illustrator Lauren Semmer

Big Tune by Alliah L. Agostini, illustrator Shamar Knight-Justice

Peaches by Gabriele Davis, illustrator Kim Holt


Elijah’s Easter Suit by Brentom Jackson, illustrator Emmanuel Boateng

Zara In the Middle by Erika Lynne Jones

Miles of Style by Lisa D. Brathwaite, illustrator Lynn Gaines

They Built Me for Freedom by Tonya Duncan Ellis, illustrator Jenin Mohammed

Old to Joy by Anita Crawford Clark


A Season for Fishin’: A Fish Fry Tradition by Pamela Courtney, illustrator Toni D. Chambers

Leo Wakes Up Grumpy by Corlette Douglas

William Still and His Freedom Stories by Don Tate


Ripening Time by Patrice Gopo, illustrator Carlos Vélez Aguilera

Dear Star Baby by Malcolm Newsome, illustrator Kamala Nair

Jump In! By Shadra Strickland


Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford, illustrator Floyd Cooper

Locs Not Dreads by Tonya Abari, illustrator Chasity Hampton

BIG by Vashti Harrison

The Walk (A Stroll to the Poll) by Winsome Bingham, illustrator E.B. Lewis


There Was a Party for Langston by Jason Reynolds, Illustrated by Jerome Pumphrey and Jarrett Pumphrey

A Walk in the Woods by Nikki Grimes, illustrators Jerry Pinkney, Brian Pinkney

Go Forth and Tell: The Life of Augusta Baker, Librarian and Master Storyteller, by Breanna J. McDaniel, illustrator April Harrison

Our Joyful Noise by Gabriele Davis, illustrator Craig Stanley

A Voice of Hope: The Myrlie-Evers Williams Story by Nadia Salomon, illustrator London Ladd

Before She Was Harriet by Lesa Cline-Ransome, illustrator James Ransome

Blues Boy: The B.B. King Story by Alice Faye Duncan, illustrator Carl Joe Williams

I Love My People by Kim Singleton, illustrator Kim Holt

Not Quite Snow White by Ashley Franklin, illustrator Ebony Glenn

Sing A Song: How "Lift Every Voice and Sing" Inspired Generations by Kelly Starling Lyons, illustrated by Keith Mallett

Because Claudette by Tracey Baptiste, illustrated by Tonya Engel

You So Black by by Theresa tha S.O.N.G.B.I.R.D., illustrated by London Ladd

CeeCee: Underground Railroad Cinderella by Shana Keller, illustrated by Laura Freeman

The Story of We by Nikkolas Smith

Extraordinary Magic: The Storytelling life of Virginia Hamilton by Nina Crews

Yvonne Clark and Her Engineering Spark by Allen R. Wells, DeAndra Hodge illustrator

Choosing Brave: How Mamie Till-Mobley and Emmett Till Sparked the Civil Rights
Movement by Angela Joy, Janelle Washington, illust.


Sparrow Loves Reptiles by Murry Burgess, Tamisha Anthony, illustrator

A Cup of Quiet by Nikki Grimes, Cathy Ann Johnson, illustrator

The King of Kindergarten by Derrick Barnes, Vanessa Brantley-Newton, illustrator

The Last Stand by Antwan Eady, Jerome Pumphrey (Illustrator), Jarrett Pumphrey (Illustrator)

​A Place For Us by James Ransome
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Interview with Jessica Yoon - Jeong is Jeong

1/31/2026

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Jeong is Jeong cover
KLiC: What was your inspiration for JEONG IS JEONG?

JY: I was reading the novel Babel by R.F. Kuang, and the book's magic system is based on the premise that there is no such thing as a perfect translation between languages. It made me think about how even as a kid who was most comfortable speaking English, I would still use certain Korean words when talking with family members. Even at a young age, I recognized that there weren't always equivalent words in English. It made me curious if there were any picture books that explored this idea, and I started thinking about what Korean words I would want to write about.

KLiC: Did you do research for JEONG IS JEONG? If so, what kind?

JY: I researched a number of uniquely Korean concepts before landing on jeong. In fact, as a Korean American who isn't completely fluent in Korean, I wasn't familiar with the word until working on this book! When I read about jeong, it was a total aha! moment. It was a concept that I knew in my bones and was now finally able to name. After I wrote the manuscript, I had my parents read it to make sure they felt I was accurately representing the spirit of jeong.
​
I also researched comp titles. I wanted to: 1) see if picture books about words in other languages had been done before and 2) ensure I wasn't writing something too similar. I came across a number of lovely picture books, including Eleven Words for Love by Randa Abdel-fattah and Maxine Beneba Clarke, I Am You: A Book about Ubuntu by Refiloe Moahloli and Zinelda McDonald, and Namaste Is a Greeting by Suma Subramaniam and Sandhya Prabhat.
Jeong is Jeong inside page
KLiC: What are your favorite illustrations in the book?

JY: Michelle Lee's art is full of warmth, love, and so much jeong! I truly adore every page, but if I had to pick favorites, it would be the endpapers. There are so many little details to discover. And you'll definitely want to compare the front and back versions because Michelle did something really fun in the design! 

Also, I'm going to cheat and name one other thing that I thought was completely brilliant. As the main character Luna learns what jeong means, Michelle has the Korean characters in the background of one spread transform into the Romanization of jeong. Seeing Michelle capture the idea of translation within the illustrations in that way was really magical.

What's the one thing you want children to take away from your book?

Jeong is a word that I hope will resonate with kids (and their grown-ups!) and spur them into action. In its simplest form, jeong represents the stickiness of relationships, all the big and small things that bond us over time. Particularly today, when the world is so polarized, sharing jeong feels more important than ever.
Jessica Yoon headshot
Jessica Yoon is a Korean American author from Philadelphia (Go Birds!). Her current and forthcoming books include BLACKPINK: A Little Golden Book Biography, Jeong Is Jeong, Kpop Demon Hunters: The Deluxe Junior Novelization, and The Legend of Ban-Dal. She is a member of the Harrisburg Asian Writers Collective and a recipient of the Highlights Foundation’s Anti-Bias Book Bearer Scholarship. When not writing, Jessica enjoys Pilates, spicy food, and spending time with her husband, two kids, and dog. You can find her online at jessicayoon.com, on Instagram, and Substack.
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Interview with Aya Khalil

1/26/2026

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Photo of the author, Aya Khalil, smiling widely with a cream and blue and pink hijab. She's crossing her arms.
Photo by Dr. Kasumi Yamazaki
Picture
 We are excited to interview Aya Khalil, co-founder of Kidlit in Color, about her latest picture book, Ramadan for Everyone. Read below. 

KLiC: Please tell us about your writing process. How long did it take you to write and sell this book? 

AK: Ramadan for Everyone is a companion book to my other picture book, The Night Before Eid. In the summer of 2023, my editor at Little, Brown/Christy Ottaviano, Jessica Anderson, and I brainstormed ideas for a second book and we both loved this idea of two sisters observing Ramadan but one struggles a bit. This was my tightest picture book deadline, though, so I had a few weeks to draft and send it to my critique partners who were giving me feedback the day I sent it to them! We went back and forth a few times and then I sent it to Jessica. We went through some edits together and then it went through acquisitions and got acquired! She's a brilliant editor and I am so glad I worked with her again and Rashin got to do the illustrations once more.


 KLiC: What kind of research did you do for Ramadan for Everyone? 

AK: I did A LOT of research! This picture book has more religious aspects that The Night Before Eid because Ramadan is a religious holiday for Muslims! I wanted vey accurate information so I consulted a Muslim religious leader, Imam A.R. Chao and he was very thorough with feedback. Although I am an observant Muslim, when you're writing picture books, the text not only has to be factually accurate, but also relevant to young children and it was a bit challenging because of the Islamic terms like taqwa had to be explained really well but also simple for children. I ended up adding lot of back matter to further explain more complex terms in details. 

KLiC: What are your favorite illustrations in the book?

AK: ​
There's a few that I absolutely love, but the spread with baba and his two daughters in the car is my absolutely favorite for several reasons. Arab and Muslim men are often vilified in the media and I wanted to make sure this baba really stands out as a caring, loving, compassionate, Arab and Muslim father who loves his daughters. He's very involved; he's a professional chef and makes them the best food during Ramadan and his daughters love to help him. This is actually the norm in many Arab households! It's a peaceful and wholesome moment in the car where it's sunset, Habeeba is happy about her accomplishment and baba is encouraging and kind. It reminds me of drives to and from the masjid with my dad and sister; even his outfit is similar to what my dad wears! 

​
KLiC: What’s the one thing you want children to take away from your book?

Ramadan is a special months for Muslims and Muslim children of all ages can participate! I hope Muslim kids feel seen of course and that this book is highlighted during the month so they can relate. I hope kids of all faiths learn something about Muslims and Ramadan. I also hope adults who are Muslims enjoy it because growing up I never had these books, so I wrote this book for us too. 

KLiC: What’s next for you? 

I am so excited for my board that I co-wrote with one of my best friends, Bayan Lahham, to come out this fall. It's called A Party of Colors and it's about a child and his dad going through a car wash, but it's the child's first time and seeing it through his eyes is so fun! It's illustrated by Olivia Asser and published by Charlesbridge and their partnership with STEAMWORKS.

Aya Khalil is an award-winning author. She holds a master’s degree in Education with a focus in teaching English as a second Language. Aya and her books have been featured in Oprah Daily, Washington Post, Teen Vogue, Yahoo!, Book Riot and USA Today. Her writing has been published in The Huffington Post, The Christian Science Monitor, Toledo Area Parent and many others. Aya’s picture books and board books have won numerous awards and honors including The Arab American Book Award and NCTE’s Charlotte Huck Award. Learn more at www.ayakhalil.com


Cover of the picture book Ramadan for Everyone with two Muslim girls, wearing hijab, holding a lantern and stars. A cat is playing with them.
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Interview with Dr. Seema Yasmin

1/15/2026

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Author Dr. Seema Yasmin wearing a long sleeve white shirt, dark hair and tan skin in a headshot.

We are thrilled to interview Dr. Seema Yasmin today about her first book in her upcoming nonfiction chapter book series, Maysoon Zayid The Girl Who Can Can. 


Kidlit in Color:  What was your inspiration for Muslim Mavericks, Volume 1, Maysoon Zayid, the Girl Who Can Can?

Seema Yasmin:  The inspiration for this series was the exciting breadth of talent, personalities and experiences that exists within the Muslim community! I’m thrilled to tell the stories of comedians, athletes, and scientists through this series which is one of the first, if not the first, middle grade biographical series about Muslims. There are more than two billion of us on the planet, so there are a lot of amazing people to write about. I grew up wishing these books were on my bookshelf so that I could see myself reflected in literature.

KLiC: Please tell us about your writing process. How long did it take you to write and sell this book?

SY: My agent, Lilly Ghahremani, and I co-conspired on this series back in the summer of 2022 when we were lamenting the lack of books about Muslims. Lilly and I went back and forth on a proposal for the Muslim Mavericks series over the course of a few months and signed a deal with Simon and Schuster the following fall. Lilly is one of those rare agents who is as proficient in offering conceptual refinements and detailed line edits as she is in contract negotiations. The writing sample initially included in the proposal was about a different person, not Maysoon Zayid. But once the deal was in place, I had deeper discussions with my editor about who the first book in the series would be about and we landed on the legendary, incomparable Maysoon Zayid. 

KLiC: What are your favorite illustrations in the book?

SY:  I adore the pictures of Maysoon and her father. It was her father who would say “Yes, you can can,” to encourage young Maysoon to walk and dance and do her physical therapy exercises. Through my interviews with Maysoon, I learned about the warmth, kindness and dedication of this man and these elements were rendered beautifully by the illustrator, Noha Habaieb. 

KLiC: What’s the one thing you want children to take away from your book?

SY: That Muslims are not a monolith! There are 2 billion of us on the planet and we practice many versions of Islam—or no version at all (for those who consider themselves to be culturally Muslim). I hope the books empower and embolden young Muslim readers, and inspire all readers to understand how faith can play a role in shaping a person’s character and life story.

KLiC: What’s next for you?

SY: I am adapting my first YA novel, Unbecoming, into a movie; working on my second picture book, Inshallah [God-Willing], which will be published by Simon and Schuster in the next year or so; and I’m nervously awaiting edits on my second YA novel.

​--

SEEMA YASMIN is an Emmy Award–winning journalist who was a finalist for the Pulitzer Prize, medical doctor, professor, and poet. She attended medical school at Cambridge University and worked as a disease detective for the USfederal government’s Epidemic Intelligence Service. She currently teaches storytelling at Stanford University School of Medicine, and is a regular contributor to CNN, Self, and Scientific American, among others. She is also the author of What the Fact? Finding the Truth in All the Noise and Unbecoming.

​Learn more and order this book here.


Cover of the book Maysoon Zayid The Girl Who Can Can. Maysoon is shown in a traditional Palestinian dress and she appears to be shaking and smiling.
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Prayer Is - Tameka Fryer Brown

1/8/2026

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Prayer Is cover
KLiC: What was your inspiration for PRAYER IS?

TFB: In 2022, I received a tip from Agent Kelly Dyksterhouse—who I’ve known for nearly two decades—that Joy Peskin at FSG was looking for a picture book about prayer from a Christian perspective. Since the project hadn’t been a fit for any of her clients, and she knew Joy and I had worked together previously, she asked if this was a project I’d be interested in. It absolutely was. I reached out to Joy and said something like, “A little birdie told me you were interested in a pb manuscript about prayer. Is that still the case?” She said yes and we were off and running.
 
KLiC: What are your favorite illustrations in the book?

TFB: I’m glad you asked this question in the plural. I have many, but I’ll just point out two.
I’m kind of obsessed with the illustration where our main character is sprawled on the bed, fuming. Alleanna did such a great job infusing both humor and relatability in this picture. Anger and frustration are common impediments to one’s desire and ability to pray. But as I say in the book, trying is what counts most with God. Sometimes trying is the best we can do. That’s true about prayer, and it’s true about other aspects of life as well.

Another one of my favorite illustrations is the church scene near the end of the book, where congregants are praying in various ways that feel authentic to them. My favorite part about this scene is the teenager in the back giving that bit of side-eye. Is it because of the crying baby, or is she one of the “doubters” that the text refers to? It could be either…or both.

It was important for me to state that prayer is for believers and doubters because my study of the Bible has shown me that God wants to hear whatever it is we are thinking or feeling—including our doubts. Even if they are about Him. I’m not ashamed to admit that I have prayed “Lord help my unbelief” on more than one occasion. Alleanna captured the spirit of inclusion through this character in a subtle but powerful way.
Prayer is inner page
Prayer Is inner page
KLiC: What’s the one thing you want children to take away from your book?

TFB: That prayer is less about memorization and recitation, and more about talking honestly to God. That it’s about more than just asking for stuff. That no one is ever too young (or too anything else) to pray.

That’s three things, but I think they’re all equally important.
 
KLIC: What’s next for you?

TFB: I have a book coming out in 2027 with Candlewick called MORE THAN ENOUGH. It’s my most personal picture book to date. Not only is it a lyrical celebration of all the everyday people, places, and experiences that shape us, it’s also a reminder that each of us is worthy of the same respect, honor, and dignity afforded to everyone else in the room—no matter who we are or where we come from. This ode to Miami, my childhood home, is being illustrated by Jenin Mohammed, who was also born and raised in South Florida.

MORE THAN ENOUGH will mark my first time publishing with Candlewick. They have an amazing reputation in the industry so I’m excited to be on this publication journey with them!
Tameka Fryer Brown cover
To learn more about Tameka Fryer Brown, please visit:
tamekafryerbrown.com
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Interview with author Raidah Shah Idil

1/5/2026

 
The author wearing a light blue hijab and the background Is orange.

We are so excited to interview Raidah Shah Idil on our blog today about her latest book, How to Free a Jinn. Read more below. 
​
KLiC: What was your inspiration for How To Free A Jinn? 

RSI: Insyirah - my book's protagonist - came to me, fully-formed in a dream. I wanted to write a fantasy novel that my younger self could have related to, and found comfort in. I've always loved the fantasy genre, but it was so rare to read fantasy novels featuring characters that looked like me. This book is a love letter to complex Muslim families and living proof that neurodivergent Muslim kids can have exciting adventures too!

KLiC: Please tell us about your writing process. How long did it take you to write and sell this book? 

RSI: Writing my book was the easy part! I drafted my book while I was pregnant with my third baby and I had so much fun writing it at my favourite restaurants. I completed it right before I gave birth to my baby boy, then I worked on my submission package and started querying when he was about 2 months old - while also caring for my 4 year old and 1.5 year old daughters. I look back and honestly do not know how I pulled that off! Working on my book was my way of refuelling my creative well amidst the exhaustion of caring for little children. 

It took ten months of querying before I signed with my US literary agent, Allison Hellegers of Stimola Literary in 2020. I revised it with her help, then we went out to US editors in 2021. This was for the original YA version of my book. We had lots of complimentary rejections. An American beta reader pointed out that Insyirah  sounded more like a twelve year old instead of a sixteen year old (thank you Allison!) so I decided to age her down. I realized that the voice of my novel was much more middle grade, anyway. My agent agreed with my decision, so 2022 was the year of ruthlessly cutting out subplots and secondary characters. 

Finally, in 2023, I put my foot down and told my agent that I couldn't bear to look at my book anymore, and that it was time to send it back out on submission with editors. She made the brilliant decision of sending my book out to Australian publishers first in the hopes that an Australian book deal would pave the way for a US book deal. Jodie Webster, the acquiring editor at Allen & Unwin, absolutely loved my book, and during our first Zoom call, she described it as a 'gift to readers'. My publication date was roughly a year later, in September 2024. Shortly after we announced my Australian book deal, Deeba Zargapur, the editor of Salaam Reads (an imprint of S&S) asked my agent if North American rights were still available - and that's how I got my US book deal!

KLiC: What’s the one thing you want children to take away from your book?

RSI: I want children to know that they are enough as they are in this very moment, and so worthy of love and belonging - especially if they don't often read characters like themselves in fantasy novels. 

KLiC: Do you have any tips for pre-published authors?

RSI: Read widely, build a community of fellow creatives, keep improving your craft, and try not to take rejection personally. Publishing is absolutely not a meritocracy, and often, it's just a matter of timing before you land that coveted debut book deal. 

The amount of stubbornness you’ll need in publishing is incredible. It's a marathon, not a sprint, and the only way to not get published is giving up. Definitely take lots of breaks though.

KLiC: What’s next for you? 

RSI: I'm working on my next middle grade fantasy novel starring boy protagonists and sibling relationships - stay tuned!

Raidah Shah Idil was born in Singapore, grew up in Sydney, Australia, worked in Amman, Jordan and now lives in Petaling Jaya, Malaysia with her husband, three children and mother-in-law. Raidah earned her BA in English and BSc in Psychology from the University of New South Wales and her Diploma of Counselling from the Australian Institute of Professional Counsellors. Her writing has been published in local Malaysian anthologies, SBS Voices, Muslim Matters, SISTERS magazine, The Feminist Wire, Daily Life, Lip Mag, The Elephant Journal, Venture Beat and MuslimVillage. Raidah loves ginger tea, noodle soup and dreams of uninterrupted sleep. 

Raidah’s debut Middle Grade fantasy novel, HOW TO FREE A JINN, was published on September 3rd (in Australia, New Zealand, Asia and Oceania). Raidah is represented by Allison Hellegers of Stimola Literary Studio.

Cover of How to Free a Jinn with a brown-skinned hijab girl on the cover

The Stories We Tell Ourselves by Brandi-Ann Uyemura

12/8/2025

 
I am a Bon Dancer cover
The Stories We Tell Ourselves
By: Brandi-Ann Uyemura
​

I am one of the slowest writers. My debut picture book comes out on March 17, 2026. Yet, I wrote this manuscript when my 12-year-old was barely a year old. Yes, the publishing industry is slow, but I hear of authors all the time who finished their manuscripts with lightning speed. I hold a BA in English and Ethnic Studies, and a master’s in counseling psychology. Why did writing my story take so long?

I am a Japanese American writer born and raised on the island of Oahu. My mom grew up on a Kauai sugar plantation. She lived in a plantation camp, a type of ethnic enclave insulated from the rest of the world. I was fascinated by her upbringing, which is why I minored in Ethnic Studies. The desire to tell these stories was strong, but so was the voice that questioned their desirability and worthiness in the well of mainstream stories.

When I was also told that my story was, “too niche,” and that there were already a lot of diverse stories, it was enough to make me want to give up. Winning a PBChat mentorship on Twitter, where I had the opportunity to work with award-winning author Andrea Wang, however, gave me the motivation and confidence to keep revising. The mentorship also helped me get eyes on my work, which was how I eventually sold my picture book. 

My initial pub date was this summer, and waiting has been hard, but I’m also continually haunted by the fear of exposing my family’s stories and culture. There is a part of me afraid of not getting it right. There is the ancestral fear of being scapegoated and discriminated against as a Japanese American, especially in the current time we are living in. But there is another part of me that has always wanted to share my family’s story of strength, courage and resilience, which is what my debut picture book, I Am a Bon Dancer, is about.
​

I recently heard a podcast about the power of storytellers and how our stories are sacred. It got me thinking about what would happen if we were all too afraid to write. If we tell ourselves that our stories are not interesting or too bold or not mainstream enough, no one will ever know them. If we stay silent and allow fear to stop us, what chance do any of us have in knowing where we came from, fighting inequality, or standing up to what’s wrong in the world? Courage doesn’t come from writing without fear. It comes from creating with fear on your back and being led by the voice that says, “It matters. We matter. Our stories matter.”
Brandi-Ann Uyemura headshot
Brandi-Ann Uyemura is a freelance writer mom, born and raised on the island of Oahu where she currently lives. Her debut picture book, I Am a Bon Dancer, illustrated by Amy Matsushita-Beal will be published by Holiday House on March 17, 2026. You can find her on Instagram and her website at Brandi-AnnUyemura.com.

Interview with Newbery Award Winner & NYT Bestselling Author, Jasmine Warga

11/18/2025

 
Photo of author Jasmine Warga. She has olive-tone skin color, wavy short hair and wears a black and red sweater
Photo by Lillian Warga
We are thrilled to interview Jasmine Warga on our blog today! Read more about her writing process and upcoming middle grade book.
​
What’s the one thing you want children to take away from your book?


I want kids to know that they deserve to be loved exactly as they are. One of the threads that runs through all my books is the power of self-acceptance, and learning how to embrace the parts of yourself that might make you feel different. I always share with kids that the things I was most insecure about myself as a kid are now some of my favorite things about adult me. I also hope that The Unlikely Tale of Chase and Finnegan specifically makes kids understand that if they are struggling with anxiety, they aren't alone. And, of course, I hope it makes them curious about the beauty of the natural world and feel inspired to want to take good care of the Earth and all of its creatures. 

Do you have any tips for pre-published authors?

Stay curious! Stay wondrous! Don't worry so much about trends. What excites you? That is what is going to excite your future readers. Writing is a magic trick. You have to believe in it to get anyone else to, and the best way to do that is to be fully in love and obsessed with the stories you are telling. Write like you won't ever be published. And strangely enough, I feel like that's the kind of writing that gets published. For anyone who is reading this that is pre-published, I can't wait to read your story! 

Is there anything you want readers to know about you or your book(s)?

I'm interested in expanding our definition of what a "diverse" book is. I want to uplift books and stories told by creators of all backgrounds, and understand that their backgrounds inform their writing even if they aren't directly writing about their identity. I always say that all of my books, at their core, are about home and finding belonging. This is because of my own family's history. And this is true whether I'm writing about a refugee girl from Syria, a Mars rover, or a cheetah. And lastly, I'd just like to say I'm so grateful to anyone who reads my books. I always think of stories as a shared dream between a writer and reader, and I'm beyond grateful when people decide to share in that dream with me. 

Jasmine Warga is the #1 New York Times bestselling author of The Unlikely Tale of Chase and Finnegan, A Rover’s Story, The Shape of Thunder, and A Strange Thing Happened in Cherry Hall. Her book Other Words for Home received a Newbery Honor and Walter Honor, among numerous other awards. Here We Are Now and My Heart and Other Black Holes, her novels for teens, have been translated into over twenty-five languages. She lives in the Chicago area with her family.
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So You Want to Write Children’s Books? - Key Takeaways

11/17/2025

 
So You Want to Write Children's Books slide
If you missed the webinar, So You Want to Write Children's Books: The 4-Essential Steps to Getting Started, we have the key takeaways below. To view the slides and webinar, please fill out this form. 
Key Takeaways header image
​
 (4)- Essential Steps to Writing Children's Books 
1. Read 100+ children's books
2. Invest in classes and books on craft
3. Join or build YOUR own kidlit community
4. Keep Writing

Special thanks to our presenters, Tonya Abari and Kirstie Myvett. 
You can connect with them on Instagram at @iamtabari and @kirstiemyauthor. 
slide of Tonya Abari and Kirstie Myvett
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The Kidlit in Color Team
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Interview with NYT Bestselling Author Neal Shusterman

11/12/2025

 
Photo of the book cover, Mindworks which has a face on it with different shapes of items like an eyeball, bear, turkey
We are thrilled to have NYT bestselling author Neal Shusterman on our blog again! Read the interview below about his new book, Mindworks. 

KLiC: What was your inspiration for Mindworks? 
 
NS: MindWorks itself is more a collection of past, polished works (with some new polish and additions) that went out of print but feel more relevant than ever. MindWorks is a collection of (almost) all my short fiction. Originally many of these stories came out in smaller collections: MindBenders, MindTwisters, MindQuakes, and MindStorms–as well as individual stories that appeared in other multi-author anthologies.  But many of those came out near the beginning of my career and much has changed since then. Technology has grown, culture has shifted–and I’ve changed, both personally and as a writer! When my publisher approached me about making a full compendium of all those short stories as well as adding new ones, I was excited. Writers often look back on their older work and wish they could make changes, polish it one last time. It’s usually a fantasy, but this time, I actually get to live that fantasy!
 
KLiC: Please tell us about your writing process. How long did it take you to write and sell this book? 
 
NS: My “writing” process for this was really different since most of the stories were already written. It was nostalgic combing back through the stories from my past–some things are so different and yet others are exactly the same. Culture shifts, people change, advancements are made, but the cautionary tales often scream the same warnings about humanity. In fact, the hardest part of revising the stories was including technological changes that are present today but didn’t exist when the stories were first written: the commonality of cellphones, the wider use of a larger, more immediate internet, etc. Those changes often made real plot points moot or inconceivable, or I’d have to make up an in-world rules or character limitations to negate the effects those changes might have on the plot. I wanted to tell the same stories, but through the lens of present day.
 
KLiC: What’s the one thing you want children to take away from your book?
 
NS: Ask questions. You won’t always find the answers. But keep asking questions, keep probing deeper. If something is off or uncanny, dissect it. Find out what it’s made of, what makes it tick, how and why it’s taken the shape that it has. How does it affect you, others, and the world around you? How has the world made it come to be? Just because something is uncomfortable doesn’t mean it isn’t worth exploring. 
 
KLiC: Do you have any tips for pre-published authors?
 
NS: Write the next story. Not just the next “big” story, but every story you can conceive. Don’t get bogged down with rejections, with changes in the industry, with self doubt. Just keep going. Keep learning. Keep reading. And always, always keep writing! Even if it’s on napkins, in the margins of your notes, or in the drafts folder of your inbox. 
 
KLiC: What’s next for you? 
 
NS: The Scythe prequel! Revisiting the Scythedom has come with its own set of challenges–I’ve written myself into a few corners when it comes to the lore. But I see it like a puzzle box, and I enjoy building characters, complexities, and new concepts around those immovable obstacles that have been set in stone by the publication process of the past. 

KLiC: Is there anything you want readers to know about you or your book(s)?
 
NS: As I said, I like readers to ask questions. It goes both ways–it’s what I try to do as well. That’s what my favorite books I’ve written have been inspired by: asking a question. It’s what I do as an author: I ask questions. It doesn’t mean I have the answers. But the questions are still worth asking.

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Neal Shusterman is the New York Times bestselling author of more than thirty award-winning books for children, teens, and adults, including the Unwind dystology, the Skinjacker trilogy, Downsiders, and Challenger Deep, which won the National Book Award. Scythe, the first book in his series Arc of a Scythe is a Michael L. Printz Honor Book. He also writes screenplays for motion pictures and television shows. Neal is the father of four, all of whom are talented writers and artists themselves. Visit Neal at StoryMan.com and Facebook.com/NealShusterman.
Photo of author Neal Shusterman, wearing a black shirt and has curly hair
Photo by Gaby Gerster
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